This set of
Mendelssohn's complete string quartets is like a clever, interlocking puzzle that forms an artful whole. There are many different elements at work here, each of which plays a part in the success of this set. First is the ensemble. The
Pacifica Quartet is impressively matched not only in timing and phrasing, but also in tone and articulation to such a degree that the separate instruments form a single unit, which perfectly suits
Mendelssohn's writing. Even though these quartets have solo melodic passages, contrapuntal movements, bowed lines against pizzicato, all the musical lines in
Mendelssohn's music -- whether for piano, chamber ensemble, or orchestra -- work together toward the same emotional expression. The
Pacifica finds an excellent balance between that Romantic sentiment and the Classical refinement in this music, between drama and form. This is possible because the
Pacifica is firmly and confidently in control of everything it does, both as individuals and as a group. Even in the fast movements, such as the finale of the String Quartet No. 3, there is exhilarating speed, but never any danger of flying off the track. There is a tautness in the playing that also helps intensify the drama. In the Presto of the String Quartet No. 2, the first violin's recitatives and the accompaniment become almost dark in their closely held ardency. Finally, the sound of the recording is so close and rich it feels like a private, personal performance for just one listener. All of these pieces put together make for a truly rewarding set of quartets.