As seemingly random collections of music by
Arnold Schoenberg go, this disc by
Robert Craft seems at first to be the most random of all. Once
Stravinsky's amanuensis and currently a conductor dedicated to the classics of modernist music,
Craft has combined on a single program
Schoenberg's lushly tonal Chamber Symphony, his agonizingly atonal Die glückeliche Hand, and his bracingly dodecaphonic Wind Quintet. For some composers, such extremes might provoke aesthetic whiplash, but in
Schoenberg's case it's business as usual. While he might switch harmonic languages and rhetorical styles from work to work,
Schoenberg's compositional personality remains essentially the same. In this set of polished and affectionate performances,
Craft creates not a random collection of music but a coherent portrait of the composer as a passionately inspired craftsman. With the skillful
Philharmonia Orchestra at his fingertips,
Craft turns in a smoothly refined and warmly emotional performance of the Second Chamber Symphony that makes the work sound like late
Brahms at his most majestic. With the expressive bass Mark Beesley and the distinctive Simon Joly Chorale,
Craft's Die glückeliche Hand is urgent and explosive, but always tightly controlled. And with the virtuoso
New York Woodwind Quintet,
Craft's Wind Quintet sounds as exciting, cogent, and masterful as
Beethoven's "Eroica." Though not for everyone, listeners who enjoy
Schoenberg will embrace this disc.