To mark
Seiji Ozawa's 75th birthday celebration, Decca has assembled an impressive box set of his finest recordings for the label, which amounts to 11 CDs of almost 12 hours of exceptional music, brilliantly performed by five great orchestras. The program has its share of warhorses, namely
Berlioz's Symphonie fantastique,
Tchaikovsky's Symphony No. 5 in E minor, and his crowd-pleasing "1812" Overture, but there is much here that's far off the beaten path and worth investigating. The opening disc presents
Bartók's Music for Strings, Percussion, and Celesta, followed by the Concerto for Orchestra, so this is evidently a cue to take this set seriously. Other important choices are a handful of works by
Takemitsu, whom
Ozawa has championed for many years, a complete recording on one disc of
Mahler's Symphony No. 2, and a CD of 20th century orchestral arrangements of music by
Bach, possibly the most controversial and quirkiest of the set with its odd-lot transcriptions by
Stravinsky,
Schoenberg, Webern,
Stokowski, and
Saito. The rest of the set is perhaps less thought-provoking, but certainly just as enjoyable, with an assortment of popular works by
Ravel,
Poulenc,
Rimsky-Korsakov,
Richard Strauss, and
Wagner, and a closing disc devoted to music on the theme of Romeo and Juliet by
Tchaikovsky,
Prokofiev,
Berlioz, and
Bernstein.
Ozawa's fans may have some of these great recordings already, but because this package exposes the listener to much of his work that is special and hard to find, it is definitely worth spending a little time to examine its contents in depth.