Bassist
Ben Williams' 2011 solo debut,
State of Art, is a thoughtful contemporary and post-bop-leaning album that finds the winner of the 2009
Thelonious Monk International Jazz Competition delving into several original tunes and successful pop covers.
Williams is an adroit improviser with a fluid, muscular approach to the upright -- as well as the electric -- bass, and he showcases all of his skills here along with his ear for unexpected covers and lively originals. Tracks like the roiling, Latin-infused number "November," featuring guitarist Matthew Stevens, and the high-energy, frenetic "Mr. Dynamite" are ear-popping straight-ahead jazz moments, while the hip-hop jazz cut "The Lee Morgan Story," featuring MC/vocalist
John Robinson, brings to mind such '90s innovators as
Gang Starr and
A Tribe Called Quest. A child of the hip-hop generation,
Williams clearly has an affinity for the music he grew up with, and consequently, although he does deliver a ruminative and gorgeous contemporary jazz version of "Moonlight in Vermont" here, he also includes a handful of inspired soul covers, including a string-heavy take on
Michael Jackson's "Little Susie" and a slow and funky modal jazz version of
Stevie Wonder's "Part-Time Lover" featuring saxophonist
Marcus Strickland, while he turns R&B singer
Goapele's "Things Don't Exist" into a cinematic orchestral jazz ballad. Though not an R&B cover,
Williams' version of trumpeter
Woody Shaw's underappreciated "Moontrane" only helps to further expand an already supremely well-rounded debut. ~ Matt Collar