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After rising to international success with the release of her chart-topping 1991 album
Logozo, West African singer
Angélique Kidjo became a fixture of world music, pairing her unique multilingual fusion of Afrobeat, pop, jazz, reggae, and various African traditions with collaborators who span multiple genres of music, from
Philip Glass and
the Kronos Quartet to
Peter Gabriel,
Alicia Keys,
Dr. John, and
Branford Marsalis. After leaving her native Benin for Paris,
Kidjo recorded a string of critically acclaimed albums for Island Records in the '90s, followed by an ambitious trilogy that saw her exploring African music's influence in the Americas, from gospel to Brazilian and Latin. Her adventurous spirit and collaborative nature have been hallmarks of her career, while a deep-rooted sense of her Beninese and West African heritage has remained a through-line in all of her recordings, from 2007's star-studded
Djin Djin to 2014's culturally rich
Eve -- both earned Grammy Awards. Fluent in Fon, French, Yorùbá, Gen, and English, as well as a personal language she developed, she is known to sing in multiple languages -- often within the same song. Also known for her advocacy,
Kidjo has served as a UNICEF Goodwill Ambassador, campaigned for OXFAM, and created the Batonga Foundation, which provides secondary school and higher education to girls in Benin and other West African nations. In 2018 she covered
Talking Heads' Afrobeat-influenced album
Remain in Light in its entirety, and a year later issued
Celia, her tribute album to Cuban vocal legend
Celia Cruz.
Kidjo released
Mother Nature, her first album of original material in seven years, in 2021.
The daughter of an actress, dancer, and theatrical producer,
Kidjo was born in Ouidah, a coastal city in the West African country of Benin. Inheriting her mother's love of performing, she made her stage debut with her mother's theatrical troupe. Inspired by a wide variety of music, from African artists like
Fela Kuti and
Miriam Makeba to the rock, pop, and soul of
Jimi Hendrix,
Santana,
James Brown, and
Aretha Franklin, she was singing professionally by her 20th birthday. She recorded her debut album, Pretty (produced by Cameroon-based vocalist
Ekambi Brilliant), in 1981; it yielded the hit single "Ninive." Although the album's success allowed for more widespread touring in West Africa, the oppressive political environment of Benin eventually led her to relocate to Paris in 1983. Working her way up from backup singer to fronting
Jasper van't Hof's Euro-African jazz/rock outfit
Pili Pili,
Kidjo recorded three albums with the group before striking out on her own again with 1990's Parakou on the Open Jazz label. Based on both her solo record and work with
Pili Pili, she came to the attention of Island Records'
Chris Blackwell, who signed her in 1991.
Produced by
Miami Sound Machine drummer
Joe Galdo,
Kidjo's Island debut,
Logozo, was a major success and served to introduce her to a global audience. Released in 1991, the album's combination of dance music, pop, and African beats, as well as appearances by
Branford Marsalis and Cameroonian saxophonist
Manu Dibango, helped it top Billboard's World Music chart. Following several years of world tours and major festival appearances,
Kidjo headed to
Prince's Paisley Park Studio to work with producer
David Z on her follow-up album. Released in 1994 and co-produced at London's Soul to Soul studio by
Will Mowat,
Ayé yielded the hit single "Agolo," which would earn
Kidjo her first Grammy nomination thanks to its innovative video.
Although modern technology and electronics played an important role in the recording of her first three albums,
Kidjo returned to her traditional roots for 1996's
Fifa. Armed with eight-track tape recorders and microphones,
Kidjo and a team of engineers traveled to Benin to record traditional musicians, singers, and dancers. The album was completed during recording sessions in Paris, London, Los Angeles, and San Francisco. Her next album, 1998's
Oremi, was the beginning of a trilogy that explored the influence of African music in the Americas. Incorporating elements of hip-hop, soul, and jazz,
Oremi focused on North America and featured a reconstructed interpretation of
Jimi Hendrix's "Voodoo Child (Slight Return)" as well as guest spots from soul singer
Cassandra Wilson, R&B singer
Kelly Price, and jazz pianist
Kenny Kirkland. For 2002's
Black Ivory Soul,
Kidjo traveled to Salvador de Bahia, where her blend of Afro-Brazilian culture included contributions from
Carlinhos Brown,
Vinicius Cantuária, and American singer/songwriter
Dave Matthews. It also marked her first release on the
Columbia label. Completing the trilogy, 2004's
Oyaya! saw her working with
Los Lobos member/producer
Steve Berlin on an album that paired African guitar styles with Caribbean and Latin styles. Switching to the Razor & Tie label,
Kidjo was joined by various popular singers from around the world on 2007's
Tony Visconti-produced
Djin Djin, including
Josh Groban,
Peter Gabriel,
Amadou & Mariam, and
Ziggy Marley.
Djin Djin was awarded a Grammy award for Best Contemporary World Music album a year later. A second Razor & Tie album,
Õÿö, followed in 2010 and featured an eclectic assortment of cover songs from traditional Beninese material to '70s soul music and even Bollywood. Guest artists included
Roy Hargrove,
John Legend,
Bono, and
Dianne Reeves.
Spirit Rising, a CD and DVD representation of an uplifting live special
Kidjo taped at WGBH studios, appeared in 2012 and included songs from throughout her career. Dedicating her ambitious 2014 album,
Eve, to the resilience of women in Africa,
Kidjo traveled around the continent capturing field recordings of women singing which she then incorporated into the album's songs.
Eve topped Billboard's World Music charts and earned her another Grammy Award for Best World Music Album. 2014 proved to be a banner year for
Kidjo with the publication of her memoir, Spirit Rising, and the live debut of IFÉ: Three Yoruba songs for Angelique Kidjo and the Orchestre Philharmonique Du Luxembourg, which was composed for her by
Philip Glass. A second collaboration with the same orchestra yielded 2015's
Sings, conducted by
Gast Waltzing. The album featured new adaptations of her own songs -- as well as a choice selection of covers -- in a lush, 110-piece orchestral setting fronted by the singer and her band. For her next project,
Kidjo worked with pop producer
Jeff Bhasker on a full-length album covering
Talking Heads' 1980 classic
Remain in Light. Released in 2018,
Kidjo's reimagined version -- often sung in different West African languages -- featured performances from
Vampire Weekend's
Ezra Koenig,
Tony Allen,
Blood Orange, and the horn section of
Antibalas.
The following year,
Kidjo delivered another covers set, this time in honor of one of her musical heroes:
Celia Cruz, the legendary queen of salsa who left Cuba after the revolution in 1959. As a child,
Kidjo had seen the great Cuban singer live with
Johnny Pacheco in Benin, and was moved by the energy and joy in her performance. Years later, she discovered that the roots of much of
Cruz's music lay in Yoruba folk songs carried by Beninese slaves to the Caribbean centuries before.
Kidjo teamed with arranger and multi-instrumentalist
David Donatien, who sought to channel
Cruz's music through the lens of her African roots -- which the singer had celebrated throughout her career -- rather than just salsa. They brought back master drummer
Tony Allen alongside a host of gifted players to deliver a rounded, in-depth, aural portrait of
Cruz, with material ranging from the '50s right on through the '90s. The album
Celia was issued in the spring and went on to earn
Kidjo another Grammy Award in 2020.
She emerged from the COVID-19 pandemic and its global quarantine with
Mother Nature in June 2021. Her first album of all-original material in seven years, it featured collaborations with jazztronica duo
Blue Lab Beats,
Yemi Alade,
Salif Keita,
Lionel Loueke,
Ghetto Boy, and others. The set also showcased a slew of producers, including
the Roots'
James Poyser, Synematik,
-M-, and
David Donatien. The track "Do Yourself" with
Burna Boy was later nominated for a Grammy Award. ~ Timothy Monger & Craig Harris