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A veteran singer and composer during the classic period of Philly soul,
Bunny Sigler was always capable of making striking, memorable soul/R&B material. Debuting in the '50s with his own group and as a solo performer, he reached the higher end of the R&B charts several times, including in 1967 with "Let the Good Times Roll and Feel So Good," in 1973 with "Tossin' and Turnin'," in 1978 with "Let Me Party with You (Party, Party, Party)," and later that year with a
Loleatta Holloway duet, "Only You."
Sigler actually earned much more acclaim for his work as a staff writer and producer. One of the major creative forces behind Philadelphia International's dominance of '70s soul,
Sigler produced and wrote for dozens of major acts, including
Harold Melvin & the Blue Notes,
Lou Rawls,
Patti LaBelle,
the Whispers,
Stephanie Mills,
Billy Paul,
Curtis Mayfield, and Carl Carlton.
Born in Philadelphia into the family of Henry and Susie May Sigler, as a child, little Walter Sigler would walk around singing and making up lyrics and choruses to songs. Walter Sigler became
Bunny Sigler when as an infant his mother discovered that he had a fully grown front tooth. She commented that he looked just like a bunny rabbit and the nom de plume stuck.
His formative years were spent singing songs like "O Lord My God" and "The Lord's Prayer" at Helping Hand Rescue Mission and at various churches. In his teens, he sang at the Roman Emanuel Baptist Church and joined various doo wop groups like
the Opals. Despite all of this involvement,
Sigler's real aspiration was to be a professional basketball player. But that ambition was squelched when he injured his leg. Seeing that he he'd have to look at singing in a different light,
Sigler threw himself into music with a passion, recording for various local labels and singing and playing guitar and piano in area nightclubs.
One summer after performing at Atlantic City's Ambassador Hotel,
Sigler began singing and noodling around the piano, searching for ideas.
Sigler was brought to the attention of independent producers John Medara and Dave White (
Len Barry's "123") by
Leon Huff who suggested they check out
Sigler's performance at the Red Hill Inn. Impressed, they signed him to a deal that lead to the release of
Sigler's first album, Let the Good Times Roll and Feel So Good on Cameo Parkway. The first single, "Girl Don't Make Me Wait," received both R&B and pop airplay. The title track (originally a hit for
Shirley & Lee) was the second single and was making a respectable showing on the R&B/pop charts (number 20 R&B and number 22 pop) when Cameo Parkway suddenly folded.
While waiting for his Cameo Parkway contract to lapse,
Sigler began hanging around the hallways of Gamble & Huff Productions, singing, strumming guitar, and practicing his newly acquired martial arts skills with wall punches and kicks. The latter proved unsettling to visiting clients leading
Kenny Gamble to suggest that
Sigler go into a room with
Ugene Dozier and try to write some songs. Up to that point,
Sigler hadn't even though about becoming a songwriter. Quite an auspicious start for a man who has hundreds of published songs.
Around 1970, Gamble & Huff Productions became Philadelphia International Records. When
Ugene Dozier left the label,
Sigler inherited his office.
Sigler's songwriting break came when a tune he co-wrote with
Phil Hurtt, "Sunshine," was released as a follow-up single to
the O'Jays' million-selling "Back Stabbers." Other
Sigler/
Hurtt tunes included on the
Back Stabbers album were "When the World Is at Peace" and "Who Am I."
The O'Jays' follow-up album,
Ship Ahoy, had
Sigler's first solo-written song, "You Got Your Hooks in Me," and the
Sigler/
Gamble tune "Don't You Call Me Brother."
Sigler's songs, productions, piano, and background vocals are sprinkled throughout the Philadelphia International Records catalog.
Sigler began to look for a group to develop, and through Jackie Ellis he met the TNJs (T for Trenton, NJ for New Jersey), a vocal group that built up a strong reputation around the Tri-state area. Backing the TNJs were a band called
Instant Funk. The nucleus of the band was bassist
Raymond Earl and the
Miller brothers, guitarist
Kim Miller and drummer
Scotty Miller. One
Sigler-produced single released, "I Think I'm Falling in Love," was issued by a local Newark label. In 1972,
Sigler was given the go-ahead by PIR to start cutting tracks on himself as a singer and brought
Instant Funk and the TNJs into the studio. The first single was the sweet as candy ballad "Regina." Another single, a remake of
Bobby Lewis' "Tossin' and Turnin,'' gave
Sigler his first chart hit (number 38 R&B) since "Let the Good Times Roll."
In 1974, PIR issued two albums by
Sigler, "That's How Long I'll Be Loving You" (a slow churchy remake of
the O'Jays' "Love Train") and "Keep Smilin'." Released in 1976,
My Music had the ethereal heart-tugging ballad "Somebody Loves You" and
Sigler's
Opals tribute, "Just Let Me Love You Tonight." Though most tracks on
Sigler's PIR albums have backing tracks by
MFSB, a significant number (including the whole
My Music album) feature the
Instant Funk rhythm section. The section can also be heard on hits by
the O'Jays,
Archie Bell & the Drells,
Evelyn "Champagne" King,
Harold Melvin and the Blue Notes, and others.
With the Philly soul sound so hot,
Sigler got a chance to work with a number of acts as a writer and/or producer, including
the Whispers, Ecstacy, Passion and Pain, and Carl Carlton. He cut tracks for artists on
Curtis Mayfield's Curtom label, including
Mayfield himself ("Trippin' Out"), and made a duet album with
Barbara Mason. In 1976,
Sigler got
Instant Funk an album deal with
Gamble & Huff's TSOP label. The album, Get Down on the Philly Jump, had two singles that were popular in the disco clubs, the title track and "It Ain't Reggae (But It Sho Is Funky)."
In 1978,
Sigler, bringing along
Instant Funk, switched to Goldmind, a label started by
MFSB guitarist
Norman Harris and distributed by Salsoul Records. With his first release for the label,
Sigler scored his first Top Ten R&B single with "Let Me Party with You (Party, Party, Party)." The album of the same name was a smash in disco clubs. When Goldmind folded, all of its acts were transferred to
Salsoul. About a year after its release and thanks to a
Larry Levan remix, "I Got My Mind Made Up (You Can Get It Girl)" went on to be
Instant Funk's breakthrough hit (number one R&B). Both the single and the album
Instant Funk went gold. Just like at PIR,
Sigler and
Instant Funk worked with the acts on
Salsoul --
Loleatta Holloway,
Double Exposure, and
First Choice -- as well as acts on other labels.
In the early '80s,
Salsoul ceased operations.
Sigler continued to write and produce, hitting with "Somebody Loves You Baby" (co-written with
Eugene "Lambchops" Curry), a million-seller for
Patti LaBelle, and taking
Shirley Jones, formerly of PIR sister act
the Jones Girls, to number one R&B with "Do You Get Enough Love" in August of 1986. He even releases an occasional single.
Instant Funk toured for a few years then disbanded.
Sigler continued working with
Raymond Earl (
Patti LaBelle's
Gems LP, the off-Broadway play 20th Century R&B) and both collaborated on some of the final tracks of
Phyllis Hyman, PIR veterans
Lou Rawls,
Billy Paul, PIR signee
Stephanie Mills, and the band PLEX. He died in October 2017 at the age of 76. ~ Ed Hogan