* En anglais uniquement
One of the more adventurous trombonists of the swing era, the distinctive
Dicky Wells was somewhat innovative, playing his horn in a speech-like style filled with a great deal of color, humor, and swing. Although he came to fame with
Count Basie in 1938,
Wells had been a major-league player for a decade before that. After moving to New York in 1926, he recorded with
Cecil Scott (to hilarious effect on "In a Corner") and
Spike Hughes, in addition to working with
Fletcher Henderson,
Benny Carter, and
Teddy Hill; during a European tour with
Hill he recorded extensively. The
Basie years (1938-1945 and 1947-1950) gave him some fame and his playing behind singer
Jimmy Rushing was particularly memorable. His later years were somewhat anti-climatic but there were engagements with
Rushing, reunions with
Basie sidemen, European tours with
Buck Clayton, a stint (1961-1963) with
Ray Charles, and occasional appearances (including on the classic TV special The Sound of Jazz in 1957). After about 1965,
Wells' alcoholism and declining musicianship forced him to get a day job as a messenger, although he did write his memoirs (The Night People) and he came back for a final album in 1981. ~ Scott Yanow