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Eddie Durham, a somewhat forgotten name in jazz history, was the first important jazz soloist to be featured on electric guitar (in 1938 with
the Kansas City Five), predating
Charlie Christian by a year. He also played trombone throughout most of his career and was quite significant as a swing-era arranger, too. He started playing guitar and trombone with six siblings in the Durham Brothers band.
Durham toured in some territory bands in the Midwest, was with
Walter Page's Blue Devils, and then worked with
Bennie Moten (1929-1933) with whom he made his recording debut. After moving to New York in 1934,
Durham worked as an arranger with Willie Bryant and then played with
Jimmie Lunceford (1935-1937) and
Count Basie (1937-1938). He also contributed arrangements to
Artie Shaw and
Glenn Miller, in 1940 led a short-lived big band of his own and during 1941-1943 was the musical director for the International Sweethearts of Rhythm.
Durham later led an otherwise all-female group and freelanced mostly as an arranger. In 1969, he returned to active playing with
Buddy Tate and in later years played with the Countsmen (with whom he recorded) and the Harlem Blues and Jazz Band. Among
Durham's most famous arrangements through the years were "Moten Swing" for
Bennie Moten,
Jimmy Lunceford's "Lunceford Special," several notable charts for
Count Basie ("Topsy," "Swinging the Blues," and "Jumpin' at the Woodside"), and
Glenn Miller's "In the Mood." ~ Scott Yanow