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The masterful skills of
Edgar Meyer -- whether as bassist or composer; in bluegrass, classical, or a mix of genres -- earned him a MacArthur "genius grant" in 2002, but that is not the only accomplishment of this remarkable musician.
Meyer always credits his father, a high-school string music director, as his first teacher, and picked up his first real bass -- which had previously served as a flower planter -- at the age of five. He would go on to study at Indiana University and the Aspen Music School with Stuart Stankey and
James Buswell. It was Stankey, he says, that showed him how to make the double bass his own. And it was in Aspen where
Meyer connected with
Béla Fleck. (
Meyer also met his wife in the Aspen School's orchestra.)
Fleck introduced
Meyer to Dobroist
Jerry Douglas and violinist
Mark O'Connor. After assisting
Meyer on his first four albums, all four of them plus mandolinist
Sam Bush became the group
Strength in Numbers, generally classified as a bluegrass group, but going beyond that sound. That willingness to explore and create new and distinctive styles, as well as his musicianship, is what has always drawn other musicians and audiences to
Meyer's music. During the 1980s, artists such as
Garth Brooks,
Emmylou Harris,
the Indigo Girls,
the Chieftains,
Elton John, and others sought out
Meyer for their albums. At the same time,
Meyer became recognized among traditional Classical circles as a rare virtuoso of the small and ignored double bass repertoire, and earned an Avery Fisher Career Grant in 1994.
Meyer's own music is an organic combination of written and improvised sections, fusing folk and jazz and classical styles into something new. Professional collaborations bring out the best of his work, with album after album garnering critical praise. Appalachia Waltz and Appalachian Journey, his two albums with with
O'Connor and
Yo-Yo Ma, topped charts and best-of lists. Appalachian Journey won a Grammy Award, and the three artists appeared on Late Night with David Letterman. In 2011
Ma and
Meyer joined with mandolinist
Chris Thile (another MacArthur genius) for
The Goat Rodeo Sessions.
Meyer and
Thile have also released two successful duet albums (2008 and 2014) and toured together, which is something
Meyer often does when he finds a winning combination of colleagues.
Meyer worked with
Fleck and
Zakir Hussain to write a triple concerto and other pieces for double bass, banjo, and tabla; and with
Joshua Bell for
Meyer's Concerto for double bass and violin. His concerto for violinist
Hilary Hahn is a rare work written for a single instrument and not the bass. Others
Meyer has worked with include
Mike Marshall and
Emanuel Ax.
Meyer still does solo recitals, with his longtime pianist
Amy Dorfman, in programs featuring classical works alongside his own music, and he continues his relationship with Aspen, returning each year to mentor new students himself.
Meyer once again collaborated with
Yo-Yo Ma and
Chris Thile for
Bach: Trios, an album of new arrangements of
J.S. Bach keyboard pieces released in April 2017.