* En anglais uniquement
Through her work with such avant-jazz musicians as
Don Cherry and
Karl Berger,
Ingrid Sertso established herself as a captivating, adventurous vocalist, capable of blending jazz, African, South American, and other worldbeat influences into a distinctive, hypnotic sound.
Although
Sertso didn't become well-known until the release of
Dance with It in 1994, she spent over 20 years honing her art. During the late '60s, she lived in Europe, leading her own trios and performing with the likes of
Eric Dolphy,
Don Cherry,
Steve Lacy,
Karl Berger, and
Leo Wright; she also worked as a music teacher at several institutions in Europe. In 1972, she became a permanent resident of the United States and she released her first album, We Are You, on Calig Records. Over the next few years she taught, while she performed in North America and Europe with the likes of
Cherry,
Ed Blackwell,
Lee Konitz,
Sam Rivers,
Jimmy Giuffre,
Bob Moses,
Dave Holland,
Perry Robinson, and
Jumma Santos. In 1974, she released Kalaparush on Trio Records in Japan. It was followed in 1975 by Peace Church Concerts on India Navigation/CMC Records.
In 1975,
Sertso became a faculty member at the Naropa Institute in Boulder, CO. She stayed there through 1975 and 1976, before moving to the Banff Centre of Fine Arts in Calgary, Canada. She had two residencies at Banff before moving to the Creative Music Studio in Woodstock, NY, where she became the co-director. While working at the Creative Music Studio, she began singing in the Art of Improvisation with
Berger and David Inzenon. In 1979, she toured major European cities as a solo artists, supported by the Woodstock Workshop Orchestra. She also released an album on MPS Records that year.
During the early '80s,
Sertso remained a co-director at the Creative Music Studio, while continuing to record and perform with a variety of musicians, including such mainstays as
Don Cherry and
Karl Berger, as well as
Paulo Moura,
Nana Vasconcelos,
Steve Gorn,
Dan Brubeck, and
Mike Richmond. In 1984, she performed with the Music Universe Orchestra at the Kool Festival in New York and released a duet album, Changing the Time, with
Berger on Horo Records in Italy. She also toured Europe twice during this time and she also toured West Africa with Olatunji and
Aiyb Dieng.
Sertso's career picked up momentum during the latter half of the '90s. She held a series of concerts and workshops in Rio de Janeiro, Brazil and she regularly tours the U.S. club and festival circuit. She also toured Europe twice and sang solo vocals on
Berger's orchestral ballet, The Bird. She was one of the co-leaders of Rhythm Changes, who released the Jazzdance album on ITM Records. During these five years, she also performed and recorded with a variety of artists, including
Pauline Oliveros,
Lee Konitz,
Frank Luther,
Anthony Cox,
Leroy Jenkins, Jimmy Cobber, Linda Montano, and
Karl Berger.
In 1990,
Sertso catapulted back into the mainstream jazz spotlight through her version "Until the Rain Comes" on
Don Cherry's
Multi Kulti album. Shortly afterward, she began working on a new album, but she became sidetracked by collaborating with
Karl Berger and guitarist Paul Koji Shigihara. The trio blended original compositions with
Sertso's poetry, improvisations, and interpretations of traditional tune.
Sertso also regularly performed poetry readings at the Tinker Street Cafe in Woodstock and the Knitting Factory in New York, and she also regularly played clubs along the Northeast coast. In 1994, she released her comeback album,
Dance with It, which earned positive reviews. ~ Stephen Thomas Erlewine