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A longtime mainstay of the Chicago independent music scene, drummer
John Herndon boasts an extraordinarily eclectic and far-ranging discography, but remains best-known for his work as a member of post-rock innovators
Tortoise. Born in 1966 in Long Island, New York
Herndon moved to Spring Creek, North Carolina with his family in 1976. In 1985, he relocated to Chicago, where he spent the remainder of the decade drumming for indie rock combo Precious Wax Drippings; from there, he spent a year with noise pop favorites
Poster Children before mounting
Tortoise (previously
Mosquito) in 1990 with
Eleventh Dream Day bassist Doug McCombs. Originally conceived as a studio rhythm battery in the mold of legendary reggae duo
Sly & Robbie,
Tortoise soon evolved into a five-piece group, drawing on elements of jazz, dub, and even progressive rock to hone a complex, highly influential instrumental approach that defined the American post-rock aesthetic of the mid-'90s. Even at the peak of
Tortoise's popularity, however, the group was not the prolific
Herndon's sole outlet -- under the nom de percussion Johnny Machine, he was a member of Wicker Park groove merchants
5ive Style, and also held tenure with
the For Carnation and Uptighty. A sought-after session player, he additionally appeared on studio dates headlined by
Sally Timms,
Butterfly Child, and
Derek Bailey. In 1997,
Herndon and his
Tortoise mates
Jeff Parker and
Dan Bitney formed a satellite project, fusion trio Isotope 217; in 2000, he produced
the Aluminum Group's excellent
Pelo, and in 2002 he assumed drumming duties with the Eternals. Although
Herndon began composing his own electronic music during the mid-'90s, he did not make his proper solo debut until 2000, assuming the guise of a Grape Dope for a dub-influenced 12" issued as the second volume in Hefty Records' Immediate Action series. The first a Grape Dope CD, Missing Dragons, followed on Galaxia in May 2003. ~ Jason Ankeny