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Artiste, Contributeur
Dawn, Op. 12
Lisa Cheryl Thomas
Tone Pictures After Pastels in Prose, Op. 7: I. Roses and Lilies. Gracefully, with Swaying Motion
Polytonal Studies, Op. 109: XII. In C Minor - G Minor. Moderately
From Mesa and Plain, Op. 20: No. 2, "Pawnee Horses"
Tone Pictures After Pastels in Prose, Op. 7: II. The Sages Dance. In Even Rhythm - Well Accented
Polytonal Studies, Op. 109: XIII. In C Minor - F Minor. Very Moderately
Tone Pictures After Pastels in Prose, Op. 7: III. The Stranger. Mysteriously - With Agitation
Polytonal Studies, Op. 109: XIV. In B Minor - G Minor. Moderately Fast
Tone Pictures After Pastels in Prose, Op. 7: IV. Indifference to the Lures of Spring. Sadly
Polytonal Studies, Op. 109: XV. In C Minor - E-Flat Minor. Somewhat Slowly, But with Motion
Tone Pictures After Pastels in Prose, Op. 7: V. The Red Flower. Slowly - Longingly
Polytonal Studies, Op. 109: XVI. In D Minor - E Minor. Rather Fast
Tone Pictures After Pastels in Prose, Op. 7: VI. Anywhere out of the World. With Restless Discontent - Not too Fast
Polytonal Studies, Op. 109: XVII. In F Minor - E Minor. Somewhat Slowly
Tone Pictures After Pastels in Prose, Op. 7: VII. Evening on the Water. Slowly and Gracefully
Polytonal Studies, Op. 109: XVIII. In F Minor - F-Sharp Minor. Fast
Tone Pictures After Pastels in Prose, Op. 7: VIII. A Poet Gazes on the Moon. Sombrely
Polytonal Studies, Op. 109: XIX. In G Minor - B Minor. Slowly