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Mike Gibbins spent a decade, from 1965 through 1975, as the drummer for the Iveys and their better-known successor group,
Badfinger -- that alone made him one of the more visible musicians to emerge from what might be called the British Invasion's "third wave," out of the orbit of
the Beatles' Apple Records. He was one of two members of the group left behind following a pair of tragic suicides, and he led reorganized versions of "
Badfinger" into the 1980s and beyond, often in competition with fellow surviving member
Joey Molland. Born
Michael George Gibbins in Swansea, Wales, in 1949, he grew up in a crowded household that included six older sisters -- he later claimed he took up drumming just so he could be heard. Actually, he was a natural drummer, responding to rhythms and generating them on anything that came into his hands, enough so that his father got him his first drum kit when
Mike was 14. He passed through various local groups, including the Planets, the Club Four, and the Misfits, over the next few years.
In the late winter of 1965, when
Gibbins was 16, an opportunity arose for him to move up to one of the more promising of the local bands on the Swansea music scene. The Iveys were a quartet led by guitarist/singer
Pete Ham, and were starting to build a reputation around Swansea and get more and better gigs -- but their drummer, Terry Gleeson, had taken a new job in early 1965 that interfered with his availability. As a result, the group was in the market for a new drummer, and Iveys bassist Ron Griffiths met with
Gibbins and invited him to audition. He passed, and joined at age 16. His youth notwithstanding,
Gibbins was a strong drummer who gave the band a much more muscular sound; his style was similar to that of
Ringo Starr of
the Beatles, direct and unpretentious with a strong backbeat.
By 1966, the Iveys were a popular attraction on the London club scene, and they added the services of manager Bill Collins, who, among other things, encouraged them to compose their own material.
Ham proved a remarkably gifted songwriter, authoring bold, infectious melodies and creating luminous harmonies in conjunction with bassist
Tom Evans, who joined the lineup in 1967. While his bandmates explored composition,
Gibbins learned piano and guitar. He also spent some time in hospital after a post-show road accident, losing his front teeth in the process.
He was with the Iveys from their early days of exposure, backing the singer
David Garrick, through their initial contact with
the Beatles' Apple Records and their signing in 1968, and then the long stretch of time from their abortive debut album (Maybe Tomorrow) to their name change to
Badfinger, the latter coinciding with Griffiths' departure and
Joey Molland's joining the band as lead guitarist (with
Evans switching to bass). They broke through to the British and American Top Ten with the
Paul McCartney-composed "Come and Get It." The group followed this up in 1970 with their LP masterpiece
No Dice, scoring a major hit with the crunching pop classic "No Matter What." The album also featured the luminous ballad "Without You," later covered by artists from
Harry Nilsson to
Mariah Carey.
George Harrison produced much of the superb follow-up,
Straight Up (with
Todd Rundgren producing the remainder), and
Gibbins and his bandmates returned the favor by playing on the former
Beatle's solo masterpiece
All Things Must Pass, and also serving as the backing unit at
Harrison's Concert for Bangladesh.
But by 1973, amid the chaos that surrounded Apple's business and creative affairs, the band was ready to leave the label that had fostered its first flash of success. They were encouraged toward the door by their new manager, Stan Polley, who was eager to get them into a new contractual situation and alienated supporters like
Harrison by negotiating a deal with Warner Bros. even as the band continued to work with Apple on a proposed new album. The result, when the smoke cleared, was that two new
Badfinger albums showed up in stores within weeks of each other,
Ass from Apple and
Wish You Were Here from Warner Bros. It was an awkward situation for the band and a confusing one for its fans, which quickly turned into a debacle when it was discovered that Polley -- an infamously unscrupulous character -- had siphoned untold sums of money from the group's coffers, emptying an escrow account and forcing Warner Bros. to withdraw
Wish You Were Here within weeks of its release.
Ironically, these should have been relatively heady days for
Gibbins, who had begun writing songs by then, two of which -- "Cowboy" and "You're So Fine" -- turned up on their albums
Ass and
Wish You Were Here, respectively. Additionally, his singing voice had actually shown up on these records, and by rights the drummer should have been enjoying the limelight. That was far from the case for any of the bandmembers, however, as Polley had disappeared from view (and later disappeared, period), and their finances were in ruins, with even their Apple earnings lost in the hopelessly tangled business affairs of the soon-to-be-inactive
Beatles label.
Badfinger forged on, working on a new LP provisionally titled Head First. At least five of
Gibbins' original songs were recorded at the sessions, but the album was shelved and was not released in any form until 2000.
Gibbins left the band in late 1974 following a spat with
Evans, and the rest of
Badfinger's sad tale is well documented: a disconsolate
Ham hung himself in 1975;
Evans and
Molland kept a version of the group going, intermittently, into the late '70s and early '80s; and after a violent argument with
Molland,
Evans likewise committed suicide in 1983.
Gibbins had remained busy doing occasional session work, including playing on
Bonnie Tyler's hit "It's a Heartache" in 1978. He also worked on demos of his original songs, but a label deal was not forthcoming.
Gibbins remained a respected session drummer, appearing on dates headlined by singers like Digby Richards and David Tipton before relocating to the south Florida area. In 1984 he joined
Molland and latter-day
Badfinger guitarist/keyboardist
Bob Jackson as part of a tour celebrating the 20th anniversary of the British Invasion.
Gibbins even made it to the Bottom Line in New York as part of a British Invasion revival package show that also included
Billy J. Kramer and
Gerry Marsden. The drummer also built a home recording studio and in 1998 issued his first solo record, A Place in Time. More Annoying Songs and In the Meantime followed, but on October 4, 2005,
Gibbins died of natural causes at his home in Oviedo, Florida. He was 56. ~ Jason Ankeny & Bruce Eder