* En anglais uniquement
Nobody sounded much like
Nappy Brown during the mid-'50s. Exotically rolling his consonants with sing-song impunity (allegedly, Savoy Records boss
Herman Lubinsky thought
Brown was singing in Yiddish), bellowing the blues with gospel-inspired ferocity,
Brown rode rock & roll's first wave for a few glorious years before his records stopped selling. But in the early '80s,
Brown seemingly rose from the dead to stage a comeback bid. He became ensconced once again as a venerable blues veteran who'd stop at nothing (including rolling around the stage in sexual simulation) to enthrall his audience.
Napoleon Brown's sanctified screams come naturally -- he grew up in Charlotte, NC, singing gospel as well as blues. He was fronting a spiritual aggregation, the Heavenly Lights, who were signed to the roster of Newark, NJ's Savoy Records when
Lubinsky convinced the leather-lunged shouter to cross the secular line in 1954. Voilà,
Nappy Brown the R&B singer was born.
Brown brought hellfire intensity to his blues-soaked Savoy debut, "Is It True," but it was "Don't Be Angry" the next year that caused his fortunes to skyrocket. The sizzling rocker sported loads of
Brown's unique vocal gimmicks and a hair-raising tenor sax solo by
Sam "The Man" Taylor, becoming his first national smash. Those onboard New York session aces didn't hurt the overall ambience of
Brown's Savoy dates --
Taylor's scorching horn further enlivened "Open Up That Door," while
Budd Johnson or
Al Sears took over on other equally raucous efforts. Novelty-tinged upbeat items such as "Little by Little" and "Piddily Patter Patter" defined
Brown's output, but his throat-busting turn on the 1957 blues number "The Right Time" (borrowed by
Ray Charles in short order) remains a highlight of
Brown's early heyday.
After decades away from the limelight,
Brown resurfaced in 1984 with a very credible album for Landslide Records, Tore Up, with guitarist
Tinsley Ellis' band, the Heartfixers. Later, he recorded a fine set for Black Top (Something Gonna Jump Out the Bushes) with
Anson Funderburgh,
Ronnie Earl, and
Earl King sharing guitar duties, and some not-so-fine CDs for other logos. ~ Bill Dahl