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The only child of pianists
Claude Frank and
Lilian Kallir, violinist
Pamela Frank has been recognized as one of the most stimulating violinists of her generation. In addition to solo appearances, she frequently performs in chamber settings and has often served as partner to her father in the violin sonata repertory. Other prominent artists, too, have been pleased to have
Frank as a collaborator, both in the standard repertory and in works written by contemporary composers.
Reared in the home of two active musicians,
Frank played chamber music with her parents, both there and later, in public. She later commented that she at first failed to realize that her parents made careers with their music; to young
Pamela, playing seemed to have been done simply for fun. At age five, she began violin lessons with Shirley Givens and remained with her for 11 years before moving on to studies with
Szymon Goldberg and
Jaime Laredo. Her career was formally begun in 1985 with the first of four appearances at Carnegie Hall with the New York String Orchestra directed by
Alexander Schneider. Her musical education took her to the Curtis Institute of Music in Philadelphia, where her father served as a faculty member. She won the Avery Fisher Career Grant the year before her graduation from Curtis in 1989. Once she left Curtis,
Frank discovered plentiful performing opportunities. In addition to chamber music, she has given performances as a soloist with the
New York Philharmonic, the
Chicago Symphony Orchestra, the
Cincinnati Symphony Orchestra, the
Detroit Symphony, the
Houston Symphony, the
San Francisco Symphony, the Los Angeles Philharmonic, the
Academy of St. Martin-in-the-Fields, the Czech Philharmonic, the
Berlin Philharmonic, the
Vienna Symphony, the
Orchestre National de France, the
St. Petersburg Philharmonic, and the Orchestre de Paris. With three of these ensembles (
Detroit,
Cincinnati, and the
Academy), she undertook extended tours of Europe. In the process, she played under the direction of such conductors as
Wolfgang Sawallisch,
David Zinman,
Seiji Ozawa,
Yuri Temirkanov,
Leonard Slatkin, and
Christoph von Dohnányi.
Frank made her Carnegie Hall solo recital debut in 1995 and has performed at many of the world's leading festivals, among them at Aldeburgh, the Berlin Festival, the Verbier, the Mostly Mozart Festival in New York, Tanglewood, Ravinia, the Blossom Festival, and at the Hollywood Bowl. At the Edinburgh and Salzburg festivals,
Frank has participated in chamber music events as she has at the Marlboro Festival. With the latter organization, she has also taken part in festival tours. Educational collaborations with the late
Isaac Stern took her to Carnegie Hall and the Jerusalem Music Centre. Aside from her devotion to works of the standard repertory,
Frank has taken up the cause of contemporary music, sparked perhaps by her work with pianist
Peter Serkin. In 1997, during her annual tour of Japan, she performed with
Serkin, clarinetist
Richard Stoltzman, and cellist
Yo-Yo Ma works by
Toru Takemitsu at the Japanese composer's Tokyo City Opera.
Frank was the first to perform (and subsequently record) two works by
Aaron Jay Kernis: Lament and Prayers for Violin and Orchestra and Still Movement With Hymn, written for piano quartet. Among
Frank's other recordings are her
Beethoven sonatas recorded with her father, a disc of Czech works for Polygram, and a set of the
Mozart concertos. A recording of the
Brahms sonatas made with
Serkin is remarkable for its headlong and rigorous approach.