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West Coast soft pop practitioners
Papercuts are based around the skills of
Jason Quever, a multi-instrumentalist and producer with a firm grasp on 50 years' worth of pop, whether it's indie, Baroque, folk, or noise. Whether working alone (as on early albums like 2007's
Can't Go Back) or with collaborators (2011's album for Sub Pop,
Fading Parade),
Quever's trademark sound blends echoing guitars and full arrangements with melancholy melodies and his faded whisper of a voice. It's a template used by many, but
Quever's skill as a producer (as evidenced by his busy slate of studio work with the likes of
Luna and
Beach House) vaults
Papercuts past most of their contemporaries, even when tweaking the formula, as on 2018's shoegaze-inspired
Parallel Universe Blues. That album, paired with 2022's Past Life Regression, also displays
Quever's full flowering as a songwriter, crafting hooks as strong, and melodies as memorable, as any of his influences did.
Quever was brought up in a commune in Humboldt County, California. After both his parents' early deaths, he traveled alone up and down the West Coast before eventually settling in San Francisco. His musical career began when he used the apartment of a vacationing friend to record piano tracks for
Cass McCombs' 2002 album Not the Way. This was the start of a busy few years collaborating with others (like
Casiotone for the Painfully Alone,
the Skygreen Leopards, and
Vetiver) while also starting up
Papercuts. The first
Papercuts album,
Mockingbird, arrived in 2004, then
Can't Go Back followed in 2007. It was released on the Gnomonsong label, run by
Devendra Banhart and
Vetiver's
Andy Cabic, and in support of that record,
Papercuts toured throughout the U.S. with
Grizzly Bear.
Up to that point,
Papercuts records were mainly solo
Quever works recorded at his self-built Pan American home studio, but on 2009's
You Can Have What You Want,
Alex Scally of
Beach House not only contributed bass, keyboards, and percussion, but also assisted with string arrangements and session engineering. The next
Papercuts album took the collaborative spirit even further, with
Quever using members of his live band (keyboardist
David Enos, drummer Graham Hill, and bassist Frankie Koeller) as well as producer
Thom Monahan to help record the road-tested songs. The set was the first
Papercuts album to be recorded outside Pan American, as parts of it were tracked at the Hangar in Sacramento. It was also the band's Sub Pop debut, and the legendary label released the sprightly, more expansive
Fading Parade in 2011.
After this,
Quever put the band on the back burner and focused more attention on producing other artists. A few notable albums he worked on at this point were
Donovan Quinn's
Honky Tonk Medusa,
Dean Wareham's Emancipated Hearts, and
Eux Autres'
Sun Is Sunk. He had also been working on another
Papercuts album during this time, recording at Pan American with occasional guests like Graham Hill and a small string section. The resulting
Life Among the Savages was released in May 2014 for new labels Easy Sound in the U.S. and Memphis Industries in the U.K.
After a spot of touring,
Quever again put the group on hold and moved behind the scenes to work on albums by
the Mantles,
Sugar Candy Mountain,
Luna, and
Beach House. He also moved from San Francisco to Los Angeles, dismantling his home studio in the process. The next
Papercuts LP was recorded at Palmetto Studios in L.A. with minimal outside help, and found
Quever stripping back the usual lush arrangements in favor of a shoegaze-inspired approach. Fittingly, the record, 2018's
Parallel Universe Blues, was released by Slumberland Records, home to many great shoegaze and dream pop albums over the years.
Quever shifted back behind the scenes after this, working as a producer on albums by
Dean Wareham,
Sugar Candy Mountain, and
Dark Tea, while also moving back to the Bay Area.
He resurfaced as a solo artist in 2021 with a five-song EP titled
Baxter's Bliss, which was more home-cooked dream pop issued on his own Psychic Friends label. On it, he covered songs by
Galaxie 500 and
Leonard Cohen, alongside three new songs that dealt with the uncertainty of life in COVID times. Past Life Regression, the eighth
Papercuts album, was released by Slumberland in April of the following year. With a similar sonic feel to the previous two records, it dealt in greater detail with the stresses of the modern world while bathing the sound in gentle layers of stringed instruments, keyboards, and reverb. ~ Kenyon Hopkin & Tim Sendra