* En anglais uniquement
For a very brief moment,
Quiet Riot were a rock & roll phenomenon. Famously described as the first heavy metal band to top the pop chart (a claim that greatly depends on one's exact definition of heavy metal), the Los Angeles quartet became an overnight sensation thanks to their monster 1983 smash album
Metal Health. But
Quiet Riot's road to success had in fact been long and arduous, and when their star power subsequently began to fade, their fall from grace was ironically accelerated by the man who was most responsible for taking them to the top: singer
Kevin DuBrow. Unable to suppress his infamous motor mouth from assaulting many of
Quiet Riot's peers,
DuBrow gradually alienated his fans and fellow musicians, and in the face of plummeting record sales, faced the iniquity of being fired from his own band. The dust eventually settled and
DuBrow was able to resurrect
Quiet Riot in the '90s, but despite their best efforts, the once chart-topping group would remain forever exiled to the fringes of pop conscience, and what might once have been a full chapter in rock history has instead become little more than a footnote.
The story of
Quiet Riot began with vocalist
Kevin DuBrow and guitarist
Randy Rhoads, who started the band in 1975 after disbanding an earlier project named Violet Fox, and completed their first lineup with bassist Kelli Garni and drummer Drew Forsyth. Along with local scene contemporaries like
Van Halen, Xciter, and London, the group thrilled audiences packing the L.A. nightclubs, but found it difficult to land a record deal during the disco-dominated late '70s. Eventually securing a contract with
Columbia Records in Japan, they recorded two moderately successful albums -- a 1978 eponymous debut and 1979's Quiet Riot II, featuring new bassist
Rudy Sarzo -- before losing
Rhoads (and later
Sarzo) to
Ozzy Osbourne's band (and later a tragic plane accident, rock & roll martyrdom, immortality, etc.).
Quiet Riot disbanded and
DuBrow formed a new group under his own name, working with several musicians over the next few years before signing with independent Pasha Records, reverting to the
Quiet Riot moniker, and entering the studio with new guitarist
Carlos Cavazo and bassist
Chuck Wright to start work on a new album. The year was 1982, and, following
Randy Rhoads' well-documented demise, former henchman
Sarzo quit
Ozzy, pushed
Wright out of the way, and brought friend and drummer
Frankie Banali into the fold to complete the lineup and sessions for what would become 1983's
Metal Health. Driven by the irresistible double whammy of the title track's muscular bass line (reputedly played by
Wright before his dismissal) and a raucous rendition of the old
Slade chestnut "Cum on Feel the Noize," the album stormed up the U.S. charts, duly reaching the number one spot and going platinum five times over in the process. Their unexpected success shocked everyone, not least the bandmembers, who found it pretty hard to cope with sudden stardom and the pitfalls that came with it.
Pressured to capitalize on their hot streak,
Quiet Riot were rushed back into the studio to whip together 1984's
Condition Critical, but unsurprisingly, the album was little more than a weak carbon copy of
Metal Health -- even sinking so low as to include another chart-ready
Slade cover in "Mama Weer All Crazee Now." Fans were unimpressed, and panic set in as the band watched the record quickly sliding off the charts to make way for fresher, up-and-coming L.A. glam metal contenders like
Mötley Crüe and
Ratt. An incensed
DuBrow went on a rampage, incessantly slagging fellow metal bands, members of the press, and his own record company, in the process quite literally burning most every bridge he'd worked so hard to build. The abusive behavior also began wearing on his bandmates, and by the time they regrouped to launch a comeback with 1986's
QR III,
Sarzo was long gone (later joining
Whitesnake) and had been replaced by former bassist
Chuck Wright, most recently working with
Giuffria.
A failed experiment in ultra-glossy '80s metal,
QR III was a third-rate
Hysteria possessing none of its predecessor's blue-collar grit and became an even bigger flop, sending
Quiet Riot into an irreversible tailspin. Mounting tension resulted in an all-out band mutiny at tour's end, with
DuBrow finding himself abandoned at a hotel in Hawaii, while the remaining musicians and crew left on an earlier flight back to L.A. Furious, he watched in disbelief from the sidelines as
Rough Cutt vocalist
Paul Shortino stepped into his shoes and recorded 1988's simply named Quiet Riot with
Cavazo,
Banali, and new bassist
Sean McNabb. The album's absolutely abysmal sales offered little consolation, and
DuBrow finally gave up on diplomacy and filed an injunction against his former colleagues (apparently he still owned rights to the name), successfully bringing
Quiet Riot to a stuttering halt.
Frankie Banali said "good riddance" and jumped ship to join L.A. shock-metal kings
W.A.S.P., while the remaining bandmembers went to ground.
In 1991,
DuBrow and
Cavazo began working together once again in a band called Heat. In time, they began using the
Quiet Riot name once again, eventually recording 1993's Terrified with bassist Kenny Hillery and a returning
Banali. Down to the Bone followed two years later, and in 1997, a one-off performance at a party hosted by industrial shock rocker
Marilyn Manson lured bassist
Rudy Sarzo back to the fold. With their classic lineup intact once again, a re-energized
Quiet Riot hit the road playing clubs across America. Public response was less than enthusiastic, however, and the band usually couldn't get arrested -- except for
DuBrow, who spent a night in jail after a tour stop in Charlotte, North Carolina, where an irate fan had sued him for injuries sustained at a previous show. This and other roadside misadventures were captured on 1999's optimistically named
Alive and Well live album, and 2001 saw the release of Guilty Pleasures, the first recording by the band's classic lineup in 17 years. Unfortunately, said album wasn't able to capture lightning in a bottle for a second time, and
Quiet Riot quietly broke up shortly thereafter.
Unwilling to put the band to rest,
DuBrow and
Banali recruited guitarist
Neil Citron and bassist
Tony Franklin for the recording of Rehab in 2006. Sadly, at age 52,
DuBrow's singing career was cut short from a cocaine overdose. His body was found in his Las Vegas apartment on November 25, 2007.
In 2010,
Banali revived
Quiet Riot alongside lead vocalist
Mark Huff, bassist
Chuck Wright, and guitarist
Alex Grossi.
Love/Hate vocalist
Jizzy Pearl joined the lineup in 2013, and the following year the group released Quiet Riot 10, a new studio album that included four live tracks that had been recorded during
Dubrow's final stretch of performances with the band.
Pearl left the group in late 2016 to focus on his solo work, with Seann Nicols (formerly of
Adler's Appetite) taking on lead vocals for the band, only to be replaced by the time they released their next album.
Road Rage,
Quiet Riot's 13th long-player and first outing for new vocalist and former American Idol contestant
James Durbin and
Frontiers Records, followed in 2017.
The band announced their 14th full-length,
Hollywood Cowboys, in the summer of 2019, issuing its leadoff single, "Don't Call It Love," in August with an album release following in November. Just weeks after the single's appearance, however,
Quiet Riot parted ways with
Durbin and reinstated
Jizzy Pearl as their lead singer. Former drummer
Frankie Banali died on August 20, 2020, from pancreatic cancer; he was 68 years old. ~ Eduardo Rivadavia