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British rock singer
Terry Reid could have been a lot more famous if he had been able to accept the slot of lead singer for the New Yardbirds in 1968. That slot, of course, went to
Robert Plant, and
the New Yardbirds became
Led Zeppelin. Unlike
Plant,
Reid was also a guitarist, and the opportunity to head his own group no doubt played a part in his decision to gun for a solo career. Leading a guitar-organ-drums power trio, he recorded a couple of respectable, though erratic, hard rock albums while still a teenager in the late '60s. Some bad breaks and creative stagnation combined to virtually bring his career to a halt, and he never cashed in on the momentum of his promising start.
A teen prodigy of sorts,
Reid had turned professional at the age of 15 to join Peter Jay & the Jaywalkers. His first couple of singles as a headliner found him singing in a sort of poppy blue-eyed soul vein. But by the time of his 1968 debut
Bang, Bang You're Terry Reid, produced by
Mickie Most, he'd switched to more of a hard rock approach.
Most was also handling
Donovan and
the Jeff Beck Group at the time, and similarities to both of those acts can be heard in
Terry Reid's first two albums -- proto-hard rock on the louder tunes, sweeter folk-rock on the mellow ones (
Reid in fact covered a couple of
Donovan compositions, although he wrote most of his own material).
Reid's high voice was reminiscent of
Robert Plant's, though not nearly as shrill, and his folky numbers especially are reminiscent of
Led Zeppelin's most acoustic early cuts.
Reid, oddly, was considerably more well-known in the U.S. than the U.K. His first album, very oddly, was not even issued in Britain, although it made the American Top 200. It's been reported that he at least in part declined
Jimmy Page's offer to join
Led Zeppelin owing to his contractual commitments to record for
Mickie Most as a solo artist, and to perform as an opening solo artist on
the Rolling Stones' late-'60s U.S. tour. He did influence
Led Zeppelin's history in a big way by recommending
Plant and drummer
John Bonham as suitable candidates for the group's lineup, after
Plant and
Bonham's pre-
Led Zep outfit (
the Band of Joy) played support at one of
Reid's early gigs.
Reid felt confident enough in his solo prospects to also turn down an offer to join
Deep Purple (
Ian Gillan was recruited instead).
An opening spot on
the Rolling Stones' famous 1969 tour of America seemed to augur even brighter prospects for the future, but this is precisely where
Reid's career stalled, at the age of 20. First he became embroiled in litigation with
Mickey Most, which curtailed his studio activities in the early '70s. After a couple of personnel changes, he disbanded his original trio, leading a group for a while that included
David Lindley and ex-
King Crimson drummer
Michael Giles (this quartet, however, didn't release any records). He moved to California in 1971 and signed to Atlantic, but his long-delayed third album didn't appear until 1973.
Reid would release albums for other labels in 1976 and 1979, but none of his '70s recordings were well-received, critically or commercially (though 1976's Seed of Memory did briefly chart). He rarely recorded, though he did play some sessions and
The Driver appeared in 1991.
Reid's catalog was reissued on various labels in the 21st century, and there was a resurgence of interest in his music as well.
The Raconteurs recorded "Rich Kid Blues" for inclusion on 2008's
Consolers of the Lonely, and made it a centerpiece of their live shows. He provided three songs to the soundtrack for
Rob Zombie's horror film The Devil's Rejects. In 2009, he played the Glastonbury and WOMAD festivals. Two years later, he toured Ireland for the first time in 30 years and released the Live in London; it included performances of several new songs.
In 2012,
Reid was invited to play London's most famous jazz club, Ronnie Scott's, in celebration of their 50th anniversary -- he sold out three nights. He also returned to Glastonbury and played the Isle of Wight Festival for the first time since 1971.
Reid's songs gained traction with 2000s pop artists.
Rumer featured "Brave Awakening" on her charting
Boys Don’t Cry album. America’s Got Talent winner
Michael Grimm included "Without Expression" on his album Gumbo.
DJ Shadow collaborated with
Reid, who wrote lyrics for "Listen" that appeared on
Reconstructed: The Best of DJ Shadow.
Reid toured the U.K. in 2013 and 2014, and performed the whole of Seed of Memory at the Borderline. In April 2016, the Washington Post ran a story about
Reid working in
Johnny Depp's home studio with
Aerosmith's
Joe Perry on a song for the guitarist's forthcoming solo album. The same month, Light in the Attic announced the release of The Other Side of the River, a collection of unreleased material and alternate takes from the 1973 album sessions for the twice-recorded
River -- some that
Reid didn't even remember. It was released in May. ~ Richie Unterberger