In 1995,
Emmylou Harris made a decisive break with her creative past, recording the album
Wrecking Ball with producer
Daniel Lanois and abandoning the traditional country purity of her best-known work for lovely but spectral musical landscapes and exploring her muse as a songwriter in a way she had never attempted before. After
Wrecking Ball,
Harris recorded three albums in which she made the most of her new creative freedom and honed her impressive gifts as a songwriter, but
All I Intended to Be, her first new release in five years, finds her reaching back toward a sound and style that recall the country and folk influences of her earlier work. But
All I Intended to Be is clearly the work of an artist who is looking to the past entirely on her own terms, and with the lessons learned since 1995 clearly audible at all times.
All I Intended to Be was produced by
Brian Ahern, who was behind the controls for most of her albums of the '70s and '80s, and it features a handful of session players who worked with
Harris and
Ahern in the past, while
Harris' occasional partner in harmony
Dolly Parton contributes backing vocals to "Gold" (as does
Vince Gill). The album's largely acoustic textures manage to sound both homey and fresh; if the melodies and the arrangements nod politely to traditional country sounds (and hold hands on "Gold"), the space in the production and the unpretentious artfulness of the songs reflect an intelligence and restraint largely absent from country music in the new millennium.
Harris wrote or co-wrote six of these 13 songs, leaving more room for covers than on
Red Dirt Girl or
Stumble into Grace, but the tone of the album is consistent throughout, and she brings a streamlined passion to material by
Patty Griffin,
Billy Joe Shaver, and
Merle Haggard that makes them her own. (
Harris also writes and sings several tunes with
Kate and
Anna McGarrigle in what continues to be a truly inspired collaboration.) And as always, the most memorable thing about
All I Intended to Be is
Emmylou Harris' voice; there are few singers in any genre with a greater natural skill and better instincts, and as wonderful as these songs are and as fine a band as she and
Ahern have on hand, it's her glorious voice that turns these simple materials into gold, and she only improves with the passage of the years. The surfaces of this album may seem less bold than the albums that immediately preceded it, but
All I Intended to Be is the work of a consummate artist who is still reaching out to new places even when she points to her creative history. ~ Mark Deming