Violist
Kim Kashkashian brings her distinctively warm, earthy tone and impassioned playing to this collection of works for viola and various instrumental combinations by Armenian and Israeli composers. Most of the works have in common a sadness that is expressed in some pieces as melancholy and in others as wrenching grief. Most are related to regional and national folk traditions and have a musical language (and titles and subject matter) that link them to the Middle East. The most impressive work is Neharót Neharót by Israeli composer Betty Olivero, an emotionally rich and musically multilayered lament for viola solo, accordion, percussion, two string ensembles, and tape that's powerfully engaging. Israeli composer Eitan Steinberg's evocative Rava Deravin, based on a Hasidic melody, is also compelling. The piece was written for
Kashkashian and uses a string quartet accompaniment. In its expressive final section, the soloist's part alternates between the stratospherically high and the deepest extremes of resister, and the effect is haunting. Armenian composer
Tigran Mansurian is represented by two original works and an arrangement of a lullaby by Armenian musician and folklorist Komitas Vardapet. His Tagh for the Funeral of the Lord is a subdued, soulful threnody for viola and percussion.
Kashkashian's passionate investment in this material is evident in the focused intensity of her performances. The various accompanying ensembles, including
Münchner Kammerorchester led by
Alexander Liebreich in the Olivero; the
Boston Modern Orchestra Project, led by
Gil Rose in
Mansurian's Three Arias; and the
Kuss Quartet in the Steinberg, provide fervent and sensitive support.
ECM's sound is characteristically impeccable: clean, clear, present, and ideally ambient.~Stephen Eddins